In 2011-2012, with the help of The Fulbright Program, sponsored by the U.S. Department of State's Bureau of Education and Cultural Affairs, Alix Knipe investigated traditional Turkish ceramics communities in Turkey. The following article describes a pottery studio in the warehouse district of Avanos where traditional utilitarian forms are made.
Alix is particularly interested in the synthesis between the cultural constructs of beauty, history, and belief, how these manifest themselves in material culture and art.
"There is no art without craft, as there is no art without work." -Henry Glassie
In 2010, with the help of NCECA’s Graduate Fellowship Grant (National Council on Education for the Ceramic Arts), Alix Knipe investigated three traditional Southeast Asian pottery townships in Burma (also known as Myanmar). The following story is about Kyauk Myaung’s pottery techniques and its rich ceramic art tradition. You can find her other stories about Sagaing’s Southeast Asian ceramics tradition and Twante’s changing craft traditions by following these links.